NEW VINYL ARRIVALS & RESTOCKS
Antlers: Burst Apart
Atoms For Peace/Other Lives: Tamer Animals/Other Side (12”)
Band of Horses: Mirage Rock
Baroness: The Red Album
Baroness: The Blue Record
Bathory: S/T
Ben Folds Five: The Sound Of The Life Of The Mind
Black Angels: Phosphene Dream
Blur: Parklife (2LP)
Bob Dylan: Tempest (2LP)
Bob Dylan & The Band: Basement Tapes (Limited Edition)
Billie Holiday: The Rough Guide to Billie Holiday
Can: Future Days Live 1973
Can: Monster Movie Live 1969
Can: Tago Mago Live in Studio 1971
Cast Of Cheers: Family
Cattle Decapitation: Monolith of Inhumanity
Cooly G: Playin Me
The Cramps: Songs The Lord Taught Us
Ella Fitzgerald: The Rough Guide to Jazz & Blues Legends
Lee Fields: Faithful Man
Jay-Z: Vol.1 - In My Lifetime
John Legend: Get Lifted
Grizzly Bear: Shields (more copies!)
The Left Banke: Walk Away Renee
Liars: S/T
Liars: Drums Not Dead
Stephen Malkmus & The Jicks: Mirror Traffic
The Mountain Goats: Transcendental Youth (Avail: Oct 2)
Mummies: Never Been Caught
Pantera: Far Beyond Driven
Raphael Saadiq: Stone Rollin’
Pantera: The Great Southern Trendkill
The Sonics: Psycho b/w Maintaining My Cool (7”)
The Sonics: The Witch b/w Like No Other Man (7”)
Gabor Szabo: Spellbinder
Stereolab: Mars Audiac Quintet (2LP)
Sun Ra & The Blues Project: Batman & Robin
Tennis: Cape Dory
Teenagers (feat. Frankie Lymon): S/T
The War On Drugs: Slave Ambient
United States Of America: S/T
Wilco: Being There
VA: Next Stop… Soweto (Township Sounds From The Golden Age Of Mbaqanga)
*plus many more

FEATURED VINTAGE VINYL ARRIVALS
Bengali Bauls: At Big Pink
Roy Buchanan: s/t
Can: Ege Bamyasi (German Press)
Cupol: Like This for Ages
Miles Davis: Miles Ahead
Miles Davis: Sketches of Spain
Dinosaur Jr.: Bug
Dinosaur Jr.: Just Like Heaven (12” w/ art-etched B-side)
Eric B & Rakim: Paid in Full
Eric B & Rakim: Follow the Leader
Bengt Hambraeus: Concrete and Synthesizer Music
Iron Maiden: Piece of Mind
Iron Maiden: The Number of the Beast
Thelonious Monk: The Golden Monk
Joy Division: Closer (UK Original)
Minutemen: Ballot Result (2LP Live album)
New Order: Substance 1987
Ramones: It’s Alive (2LP Live album)
The Replacements: Let it Be (UK Original)
The Remains: S/T (original 1966, VG++)
Talking Heads: Remain in Light
Television: Adventure
X: Under the Big Black Sun
Frank Zappa/Captain Beefheart: Bongo Fury
V/A: Wave the Ocean, Wave the Sea: Field Recordings from Alan Lomax’s “Southern Journey”, 1959-1960
*plus many more

EQUIPMENT & ACCESSORIES COMING SOON…
Audio Technica ATH-M10 Headphones
Audio Technica M50 & M50s Headphones
Stanton DJ Pro 60 Headphones
Stanton DJPRO-2000S DJ Headphones
Stanton T.52B Turntables
*plus more

COMING SOON… (RELEASES & RESTOCKS)
Aphex Twin: Richard D. James Album
Danny Brown: XXX
Daphni: Jialong
Buzzcocks: Singles Going Steady
Bill Evans: Waltz for Debby
John Fahey: The Voice of the Turtle
Freddie Gibbs: Str8 Killa
Four Tet: There Is Love in You
Possessed: Seven Churches
Propagandhi: Failed States
Scott Walker: Scott
Watts 103rd Street Rhythm Band: In the Jungle, Babe
*plus many more

FEATURED VINYL ARRIVALS / RE-STOCKS
Bob Dylan: Tempest (Columbia)
Tempest is an album that works on many levels. Taken as sound or aural sculpture, the songs take the listener through a dark ramble through the back roads of American popular music. Every musical phrase, note, carries something that suggests more than itself. Each melody is weighed down with memory, reminding the listener of real and imagined pasts, old struggles, hinting that there’s a world rapidly slipping through our fingers, if it’s not already long gone. It’s easy to hear the echoes of Bob Wills, Hank Williams, Sonny Boy Williamson and ancient Childe ballads from another fallen empire running through Tempest. But, these snatches of melody weren’t conjured to provide light entertainments or exercises in nostalgia. They’re imbued with intimations of mortality, backward glances and all different kinds of summing up.
Dylan’s voice sounds more ragged than ever, yet it remains an astounding instrument that can communicate subtle shifts of emotion. There is a kind of perverse joy in every note Dylan sings as he delightfully croons and mangles his way through the lyrics of each of these songs. What he may have lost in range, he more than makes up for with the nimble, winking playfulness that dances underneath the wheezy, rusty bellows his voice has become. — PasteMagazine.com

Baroness: The Blue Record (Relapse)
In the broadest sense, Blue Record is an awe-inspiring and powerful rock `n’ roll album, albeit one that still finds the band incorporating the heaviness and the hard-hitting surge of post-hardcore. Yet the group’s tendency toward atmospheric epics have been compartmentalized into brief interludes, while their bigger songs have been packed with meatier hooks and a dizzying array of psych- and Southern-rock riffs. In short, if you’re in the mood to hear something loud and awesome this should adequately floor you. — Treblezine.com

Mummies: Never Been Caught (Telstar)
At a time when a lot of garage rock bands sounded like they were drowning in a sea of paisley and nehru affectation, the Mummies flipped the whole scene the bird with one of the most gloriously ugly garage albums ever, 1992’s Never Been Caught. Sounding like it was recorded in an acoustically untreated basement on equipment that might have been state of the art in 1947, Never Been Caught is one long blast of monophonic skwak, with the needles almost perpetually in the red as four guys in mummy outfits bash out crude ’60s-style rock about beer, babes, and open hostility on battered gear which was doubtless discarded by tone-deaf teenagers who got over their 15-minute delusion of possible future rock stardom in 1966. In case you haven’t figured it out by now, this album is, quite simply, a work of genius; Billy Childish was once quoted as saying the Mummies were nearly as good as the Damned in 1977, and while the two bands don’t have much in common musically, the Mummies certainly shared the enthusiastic carelessness and “Smash It Up” energy with the Damned Damned Damned-era punks, as they set out to blow up amps and knock over drum kits just cause it seemed like a fun thing to do. And after listening to it, damned if you don’t want to join in — Never Been Caught is a perfect reminder that once upon a time rock & roll was considered dangerous just for being fast, loud, and snotty, and if the Mummies never quite became the new leaders of America’s juvenile delinquents, it’s sure not because they didn’t try. — AllMusicGuide.com